how to be a composer: 1) pencil and paper

To be a composer, you need a place to write. It needs to have a mood, lighting you like, a good drink, and the materials that are both fashionable and useful. Here is my comprehensive list.

Pencil and Paper

Let’s start with the essentials. You need to actually write music, so you need the best pencil and the best staff paper. Luckily for you, I have found the best pencil and some exemplary examples of staff paper of the highest quality.

Here is the best pencil, the Ticonderoga Black (it even says so on the packaging, click the link if you don’t believe me):

And here are some versions of staff paper that I really do love:

The classic Hal Leonard standard wire-bound. It travels well, it is affordable, so you may as well have several of these on hand.

When I am in the need to feel classy and hipster-y, I gravitate to Moleskine, which has many wonderful selections of staff paper booklet/journals. I carry a small one as a concert journal where I document my favorite motifs, unapologetic critiques of the performers wardrobes, and the ideas that populate as a listen to a master composition. I found that this larger staff paper journal is quite lovely to compose in. I am currently using it to sketch out the song-cycle I am working on called The Best Thing Ever.

I ran into another great looking bunch of staff paper when I was stalking the Facebook of Gabriel Kahane. After I asked him, via the comment section of his post, where i could find such a beautiful staff paper, he simply said “I think most places sell it” or something to that effect. Well, it looked good on his Instagram photo.

Now Go Write

Find some good lighting. If you have a piano, maybe find a desk lamp to put above the music rest and place your finely curated staff paper and pencil in the “go” position. Grab a small antique glass that you have filled with the finest locally roasted espresso, an write something beautiful.



One thought on “how to be a composer: 1) pencil and paper

Comments are closed.